F I N E A R T
The Peacock Coat. Ink and watercolor on paper. Jericho Wawa, Issue 6, 2025.
Ghost. Ink and watercolor on paper. The Oxford Linguist, Issue 4, 2025.
Ocelli. Ink and watercolor on paper. The Oxford Linguist, Issue 4, 2025.
Cesare. Ink and watercolor on paper. Oxford Philosophy Society Journal, Issue 4, 2025.
Pleurotus ostreatus. Graphite on paper. Jericho Wawa, Issue 5, 2025.
E X H I B I T I O N S & P R E S E N T A T I O N S
“Death, Rebirth, and the Pursuit of Eden in Female Embodiment.” Series in ink and watercolor on paper. Society for the Study of Theology, University of Warwick, Warwick, UK, April 8, 2025.
Ghost. Ink and watercolor on paper. Keble MCR Art Showcase, Keble College, Oxford, UK, February 28, 2025.
Woman in a Peacock Coat. Ink on paper. 9th Annual Graduate Conference in Religion and Ecology, Yale University, New Haven, CT, February 21, 2025.
P O E T R Y
“The Falling Man.” Oxford Review of Books, Forthcoming.
“On a Starry Evening.” Amon Hen, Issue 317, 2026.
“Ton esprit n’est jamais en mouvement.” The Oxford Linguist, Issue 4, 2025.
“Pour moi tu es la nuit.” The Oxford Linguist, Issue 4, 2025.
“Tarot Cards Make Good People Very Afraid.” Inkslinger, 2018.
E S S A Y S
Forthcoming.
Inge Dar is a practice-based researcher and interdisciplinary artist working at the intersection of narrative, illustration, and design. Drawing on continuities between scientific theory and philosophical traditions, her practice centers on the human body and its experiential encounter with landscape to explore relationships between modern physics and the numinous. In particular, her work investigates the relationship between perceptible material reality and that which lies beyond direct perception—whether understood as physical processes or as systems of meaning and interpretation.
Ms. Dar holds a Master of Studies in Science and Religion from the University of Oxford, where her work focused on quantum theory, the metaphysics of spacetime, and the philosophy of physics and mathematics.