Inge Dar is a writer and interdisciplinary artist working at the intersection of narrative, illustration, and design. With a background in Literature, Classics, and Fine Art, Ms. Dar holds a Master of Studies in Science and Religion from the University of Oxford, where she researched quantum theory, the philosophy of mathematics, and the metaphysics of the God-world relationship. Her work centers on the body and subjectivity as sites for exploring relationships between myth, modern physics, and the numinous.

F I N E A R T P U B L I C A T I O N S

The Peacock Coat. Ink and watercolor on paper. Jericho Wawa (Print, Issue 6, 2025).

Ghost. Ink and watercolor on paper. The Oxford Linguist (Issue 4, 2025).

Ocelli. Ink and watercolor on paper. The Oxford Linguist (Issue 4, 2025).

Cesare. Ink and watercolor on paper. Oxford Philosophy Society Journal (Issue 4, 2025).

Pleurotus ostreatus. Graphite on paper. Jericho Wawa (Print, Issue 5, 2025).

E X H I B I T I O N S & P R E S E N T A T I O N S

“Death, Rebirth, and the Pursuit of Eden in Female Embodiment.” Series in ink and watercolor on paper. Society for the Study of Theology, University of Warwick, Warwick, UK, April 8, 2025.

Ghost. Ink and watercolor on paper. Keble MCR Art Showcase, Keble College, Oxford, UK, February 28, 2025.

Woman in a Peacock Coat. Ink on paper. 9th Annual Graduate Conference in Religion and Ecology, Yale University, New Haven, CT, February 21, 2025.

P O E T R Y

“The Falling Man.” Oxford Review of Books (Forthcoming).

“Ton esprit n’est jamais en mouvement.” The Oxford Linguist (Issue 4, 2025).

“Pour moi tu es la nuit.” The Oxford Linguist (Issue 4, 2025).

E S S A Y S

Forthcoming.