F I N E A R T
The Peacock Coat. Ink and watercolor on paper. Jericho Wawa, Issue 6, 2025.
Ghost. Ink and watercolor on paper. The Oxford Linguist, Issue 4, 2025.
Ocelli. Ink and watercolor on paper. The Oxford Linguist, Issue 4, 2025.
Cesare. Ink and watercolor on paper. Oxford Philosophy Society Journal, Issue 4, 2025.
Pleurotus ostreatus. Graphite on paper. Jericho Wawa, Issue 5, 2025.
E X H I B I T I O N S & P R E S E N T A T I O N S
“Death, Rebirth, and the Pursuit of Eden in Female Embodiment.” Series in ink and watercolor on paper. Society for the Study of Theology, University of Warwick, Warwick, UK, April 8, 2025.
Ghost. Ink and watercolor on paper. Keble MCR Art Showcase, Keble College, Oxford, UK, February 28, 2025.
Woman in a Peacock Coat. Ink on paper. 9th Annual Graduate Conference in Religion and Ecology, Yale University, New Haven, CT, February 21, 2025.
P O E T R Y
“On a Starry Evening.” Amon Hen, Forthcoming.
“The Falling Man.” Oxford Review of Books, Forthcoming.
“Ton esprit n’est jamais en mouvement.” The Oxford Linguist, Issue 4, 2025.
“Pour moi tu es la nuit.” The Oxford Linguist, Issue 4, 2025.
“Tarot Cards Make Good People Very Afraid.” Inkslinger, 2018.
E S S A Y S
Forthcoming.
Inge Dar is a writer and interdisciplinary artist working at the intersection of narrative, illustration, and design. Her work examines how developments in modern physics—particularly quantum theory, emergence, and the structure of physical systems—inform philosophical inquiry. Drawing on continuities between scientific theory, early twentieth-century art and literature, and ancient traditions, her practice is grounded in the human body and landscape as sites for exploring relationships between myth, modern physics, and the numinous.
Ms. Dar holds a Master of Studies in Science and Religion from the University of Oxford, where her research focused on quantum theory, cosmology, and the philosophy of physics and mathematics.